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ok, ok ... I go I talk about the silence and talk.
Last Monday, I saw this film at Cannes mistreated, booed by the same critics who hailed it until yesterday. Even though I know for a fact that this film in theaters today, is a restored version than the one presented at the Festival.
Anyway, give a shit. I make this film I had already demolished after the check, the sky above Berlin. A film that ch'ho used for 3 days to finish. But certainly a film with extremely spaccacazzo. Icon of that intellectual cinema held in high regard in France and especially in Veneto. A cinema and visionary dream that just convinces me personally, because of the aesthetic conflict too ostentatious. some are really shit, but the film is not evil. The film almost, save for a corner. Once a film so it would be dismissed with "nice photo". Or simply talking about the soundtrack, that it would be nice if it were not completely independent from the rest of the film (in the sense that they are issued only when the protagonist is wearing headphones, or 3 / 4 of the film).
Ah, I forgot: bring up Nick Cave or Lou Reed in the movies, or Patti Smith is Paraculo and only serves to satisfy a portion of the paying public, certainly not to give added value to the film. But so be it. is intellectual and I take note. but I remain of the opinion that people like Wenders, lynch, gus van sant, or our own Antonioni and Fellini, are masters of everything overvalued.

And for that reason, humanity continues to Starmie on cock.

Photographer successful known throughout the world, Finn (Campino) lives a brilliant but somewhat disorganized. He never sleeps, her phone rings constantly and the music they hear in the headphones is practically his sole and constant companion. And when his life suddenly falls apart, Finn decides to abandon everything and go to Palermo, where he will begin a new and exciting life and a new romance.

I do not change. alternate to the limit few drinks.
which then makes me recognize that have been glimpses of Palermo its mysteries and its wonders, will have been beautifully restored smile, that I will be a little too identified with the protagonist (a photographer to cry a lot and rather shy, introspective that never deviates from his favorite music and that despite the Success is obsessed with the idea of \u200b\u200bdeath). You see so often hit or brushed by arrows shot by a mysterious creature that pursues him (death). To mitigate this feeling is only part of the meeting with Flavia, a restorer committed on a large sixteenth-century fresco depicting "The Triumph of Death."
framework phenomenal with many priests and Powerful pierced, that if I had a band of my own, as a choreographic image it would be nice ...

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palermo shooting hours, the boat can go ...


The year was 1979 when the Italian producers when Fabrizio De Angelis and Ugo Tucci, decided to follow in the wake of the success that the film "Zombi (Dawn of the Dead)" by George A. Romero was getting all over the world. Thus' the two opted for an attempt to rip-off of U.S. film and initially laid them their hopes in director Massaccesi Aristide (aka Joe D'Amato). Then their attention shifts to Lucio Fulci, who until then had never made films of the era Italian film critic genere.La harshly attacked the film, calling it largely a product of "butchery" or an imitation of zombies. But as with the right eye nihilists (mine), you feel immediately that with the Romero film, there is very little in common, apart from the title.
E 'as the alternative Ghei who can speak ill of the metal just because it has roots in the burial of his collection of disks completely superfluous.
that I've seen most of the zombie movie in circulation and I have the coolest records of the solar system (including the last of motorhead), I can tell you how things are. In
ZOMBIE 2 (Flesh Eaters - ZOMBIE: THE DEAD ARE AMONG U.S.) is absent and the bee metaphor of social profesta inherent in Romero's zombie. In this film, the social criticism is entirely left out instead to let the source shine antropofobica brutal tribal cannibal undead. Morando Morandini, who harshly attacked the film, calling it an "instant movie in the wake of the Romero film. Effettacci, labile characters, no suspense. Harmful full-time "he had to fuck off as well, as the film went pretty good as well at the box office to become a cult. The success of this film, however, caused a dispute between Fulci and Argento (who was the producer and distributor in Europe of "Zombie" by Romero), which decreed a long period of enmity between the two Italian directors. Just in time of reconciliation and that is when Silver decided to produce the film "Mask of wax" that was to be directed by Fulci latter was sadly lacking (when, for one thing as Muccino, do not fare bad at all).
ok I broke my fucking back Confidential information therefore goes directly to the plot. that is like trying to educate a broken sink.
Caribbean island of Matul un'ispiegabile outbreak revives the dead who come back from the dead as beings without will only moved from their murderous impulses. One of these rangiunge New York on board a boat and attacking two police officers. Intrigued from happening a journalist and the daughter of a scientist go on site to investigate. Fear, death and horror will follow one another relentlessly since their arrival on the island is now overrun by voracious zombies. Zombi 2 is the Fulci film that runs at international level and turns the idea of \u200b\u200bzombie-movie introduced by Romero. Special effects treated (despite the budget) and impact aside, the film follows a logic all its own, even if she can 'seem at times even incoherent puts a strain on the viewer with rapid and unpredictable series of scenes charged suspense. Add to this step where time seems to expand in favor of the more sadistic voyeurism and the inevitable gore extreme, we have the full picture of film. Some smear technique is not missing, such as manifest error in the sequence assembly aquatic shark fight with a zombie, but that is just details that can not and will not detract from the film. In short, we are facing one of the greatest quotes dall'orrorifico touched the world of our national director. A film that every lover of the genre should see at least once in their lives.

Finally, the new slayer song that many of you still have not even heard. some say that the album will also be the last.
What if I start to get nervous, yelling, throwing punches in the cupboard and throw away the table to the ground because it is not Can a band of the pieces as they stop suddenly. Their dark rhythms, their wicked riff, their violent lyrics and their gloomy covers however there will always serve as a warning to the scontatezza and the inconclusiveness of those who can barely hold in my hand an instrument, can not properly match the clothes, does not have any sort of innovative idea and break the balls well, "fuck the diggèi do here, I'm a fucking diggèi beyond."
recognition by their supremacy and disappeared from this blobgs.
the Makka will always be by their side, as long as metal parts us.
Why not open-minded and never will be.

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Delights from Sicily

The picture is not 'beautiful, but these are some of the delights of Sicily we tasted in our weekend in Palermo, cannoli cake setteveli chocolate and pistachio, and cassatina cassatina baked ... I tasted a bit 'of everything ... a goodness' only .. Of course in addition to the ability 'of pastry (fortunately as guests of friends in Palermo have led us in the top ...) also first-rate ingredients contribute to these delights.
I hope to return soon to enjoy this goodness ', and still others that we lack, in the meantime, this photo (along with our other friends) I will remember' that nice weekend in Palermo.

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good start: cappuccino and cornetto!

Eh is a good cappuccino and croissant can make a good start well a day ... especially if the horn and we do it at home and 'as good as that of the bar,' cause it will eat with a certain satisfaction ... The mixture

and 'one for the donuts that I have already', namely, 'the same mixture is used only once removed from the fridge and cut out the donuts is sText forms, this for the croissants should be''' 'a new job: the folds with butter. The doses are

1 kg of dough

200 g butter at room temperature

I stretched the dough to about 1 cm, I've had some slices of the stick of butter, I put forth on 'dough (not on the whole, I leave a few inches from the edge) then ho chiuso come una busta da lettera: prima il lato destro, sinistro, la parte bassa e alta, messo nella pellicola trasparente e in frigo per 15 minuti almeno, l'ho ripreso steso con il mattarello e fatto le pieghe come prima, di nuovo nella pellicola ed in frigo...ho fatto questo per 3/4 volte. Puo' accadere che si attacchi un po' al mattarello la pasta, a causa del burro che potrebbe un pochino uscire (pero' molto poco...), basta infarinare il mattarello.

Poi ho steso la pasta, ho ritagliato dei triangoli , li ho arrotolati partendo dalla base e ottenendo i cornetti, li ho fatti lievitare e poi in forno a 180 gradi. Si possono fare anche altre forme oltre ai cornetti, saccottini, trecce, girelle...

Mentre i cornetti were in the oven I made a syrup made with equal amount of water and sugar in a saucepan and put on the gas, and just 'I removed the thickened and I brushed the croissants just out so' remain lucid.

remember that this recipe was given to a pastry Pistoia Luvi , and 'also on panperfocaccia and amicincucina .